Zootopia 2
Bigger and busier, this sequel can’t recapture the original’s spark After the return of Bob Iger as Disney CEO, a pivot was made to make less quantity of content for the streamer Disney +, which had partially doomed his
Bigger and busier, this sequel can’t recapture the original’s spark After the return of Bob Iger as Disney CEO, a pivot was made to make less quantity of content for the streamer Disney +, which had partially doomed his
A bold new cyberpunk vision held back by tonal whiplash and a muted leading man Edgar Wright is a beloved director for many film nerds, known for a winking style and frenetic editing, the Brit has delivered some modern c
A return to Oz that exposes fascism with clarity but stumbles in storytelling The phenomenon of Wicked (2024) seemed to work on multiple fronts, launching Jon M. Chu’s musical career as it deserved (after the box office
A heist without sparkle, the Horsemen return for a trick no one asked to see It would be hard to imagine, of all the franchises that studios have sought to prop up, that the one about magicians who pull off heists would
Lynne Ramsay turns post-partum despair into a brutal, intimate portrait of a mind unraveling Lynne Ramsay is not a director to shy away from taboo subjects, especially regarding parenting. Her indie hit, We Need to Talk
Scott Derrickson's follow-up is a convincing evolution from the first film Horror appears to be the last remaining genre where filmmakers deliver surprising new ideas. This is due to the small budgets, which allow more c
Dan Trachtenberg's latest Predator entry is another solidly entertaining character piece It’s a curious yet unsurprising trend, when a franchise has burnt out, studios are willing to give the material to filmmakers with
Yorgos Lanthimos' latest is a deconstruction of conspiracy theorists Yorgos Lanthimos has developed an idiosyncratic style, in the same way that Wes Anderson or Kelly Reichardt has. You can identify a Lanthimos film with
Kelly Reichardt's latest demystifies the criminal caper In a time when movies are increasingly loud and boisterous, struggling to capture our ever-shortening attention spans, it’s both refreshing and startling to find qu
Alberto Rodriguez's latest thriller is his best in years The film noir had its height in the mid-century, and shortly revived in the 1970s anti-system surge of independent young filmmakers, where they delivered perhaps t
Guillemo Del Toro delivers a colorful and defining adaptation of the Mary Shelly novel As much as Netflix is getting blamed for the death of the theatrical experience, the streaming company is giving filmmakers the resou