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The Adam Driver vs. dinosaurs vehicle is dully banal The last two species that have ruled our planet have been humans and dinosaurs; it is only natural that the imagination of artists ponder which of the two would triump
The Adam Driver vs. dinosaurs vehicle is dully banal The last two species that have ruled our planet have been humans and dinosaurs; it is only natural that the imagination of artists ponder which of the two would triump
The newest entry in the meta-horror franchise is a surprising improvement on its predecessor Horror movies tend to be set in claustrophobic settings; be it a single building, the suburbs, or other isolating factors, for
Marvel’s latest is another confused and convoluted affair Four years on from the big Marvel finale that was Avengers: Endgame (2019) and the Disney studio has still not found its footing or direction. With each subsequen
M. Night Shyamalan’s latest is taut if unmemorable M. Night Shyamalan went from Hollywood Golden Boy with hits like The Sixth Sense (1999) and Signs (2002), to punch-line with Avatar: The Last Airbender (2014) and After
Laura Poitras’ look into Nan Goldin’s life is a stunning stylistic balancing act Laura Poitras has been a director who’s been prescient about the pulsating crises of our times. From her jaw-dropping documentary Citizenfo
Krieps shines in yet another take of Empress Sisi Thanks in part to the #MeToo era, dissociative feminist stories have been on the rise, showing female existential dread taken with panache. This has mostly been seen in s
This Polish film tilts more to cynicism than cuteness Using an animal to tell a picaresque story is something that filmmakers have successfully done from Au hasard Balthazar (1966) to War Horse (2011). The rather neutral
Sarah Polley delivers a powerfully stimulating thought piece Analyzing and debating about patriarchal societies and how we should consider our role and options within them is a dense and unwieldy subject that would prov
This January horror movie is surprisingly competent Jason Blum and James Wan have dominated the horror genre for the past decade. Thus, to see them team up presages an intriguing film to come. However, when that film is
This animated sequel is surprisingly irresistible It can be easy to build preconceived notions about the type of movie that an animated sequel to a spin-off series could be, yet movies such as Puss in Boots: The Last Wis
Benoit Blanc’s new adventure proves blander than the first Knives Out (2019) burst through the scene to revive the murder mystery sub-genre that Kenneth Branagh had been attempting to with his remakes of Agatha Christie
Olivia Coleman is insuperable in Sam Mendes’ new film Sam Mendes has always been fascinated with loneliness, though his films have tended to be focused on male protagonists, be it with Skyfall (2012), Road to Perdition (
Cameron returns to the silver screen with another visual marve James Cameron is one of the most successful directors of all time. He’s directed two of the top three highest-grossing films of all time ( Avatar (2009) #1,
Aronofsky’s latest has Brendan Fraser deliver the performance of his career Darren Aronofsky has always been a director fascinated with the grand and epic internal journeys. He loosely adapted “the Bible” with Mother! (2
Spielberg’s most personal film, is disappointingly distant Spielberg is always amongst the names debated when discussing who is the greatest director of all time. Spielberg has made films ranging from the scary ( Jaws (1
Del Toro’s animated adaptation is a profoundly moving one Darren Aronofsky has always been a director fascinated with the grand and epic internal journeys. He loosely adapted “the Bible” with Mother! (2017) , took us int
Mark Mylod’s thriller is deliciously taut Social messages are imbued in most films nowadays, but the horror genre seems to be the one most suited to bring it about. This has become increasingly popular after the success
Maria Schrader’s investigative reporters film is a competently gripping watch The #MeToo movement was sparked by several societal factors, from the rise of misogynistic political figures like Donald Trump, to the reckoni
The awaited sequel works well as a send-off and recycled continuation The death of Chadwick Boseman was a gut-wrenching and surprising blow for many fans, but it must have been absolutely demolishing for those who knew a
James Gray’s film fails at connecting viewers to its protagonist James Gray has focused his films on characters with a deep internal turmoil. He’s frequently set these characters against colorful backdrops, such as 1920s
Martin McDonagh’s latest is an impactful deconstruction of conflict Why are there wars and seemingly unbridgeable conflicts? The breakdown that political analysts and historians could give you can seem endless, and yet a
Park Chan-wook’s latest is a carefully curated detective drama with a lackluster romance Irrational relationships have been a focus and fascination of many filmmakers through history; how can, against all logic, emotions
Todd Fields return delivers an engrossing character study The debate of how one should separate art from the artist is one that has taken on a new meaning as cancel culture has spread amongst the western world. If someon